I spent two nights of the Easter weekend at our off grid log cabin at Century Wood. I’ve made this video about staying there, and I also talk through the basic 12V electric system, the kitchen sink and drain, and how I use the wood stove.
It doesn’t look as if there will be snow at Century Wood this Christmas, but I’ve dug out some photos of previous years with snow, and a time lapse video of snow building up over a few days.
First here is the Log Cabin at the centre of the wood, with smoke from the wood stove. It quickly got comfortably warm inside.Continue reading “The woodland in the snow”
Wohlleben’s book was originally published in German in 2015 and then translated and published in English in 2016. The book attracted a lot of mainstream interest due to Wohlleben’s “wood wide web” description of trees communicating with each other and sharing nutrients. I was aware of this at the time and I must admit the way he presented it all put me off. But I’ve now read the book and that’s only a small part of the wide range of topics he covers.
Peter Wohlleben began his career as a forester for the state of Rhineland-Palatinate in Germany but became disillusioned with the “big forestry” style of management and began managing a beechwood for the local council of Hummel. He published several successful books about forests, nature, and threats to the environment, before “The hidden life of trees”.
I’ve been using trail cameras at Century Wood for the last couple of years. To start with I got a camera for security: to see if people were coming in to the wood following occasional thefts from my neighbours over the years. It quickly became clear that wildlife was a much more interesting use of the camera, and I’ve accumulated a good sample of images of the wood’s wildlife.
The first camera I bought was a Bushnell Trophy Cam HD Max with 8 megapixels. I bought it a year or so before starting to use it properly, and it lasted just over a year before it was stolen. I placed it on the edge of the main clearing in the wood, and I never saw evidence of people on the images. So it may have been taken the first time someone came across it. Then I bought a cheap Apeman camera from Amazon, at 12 megapixels, which is still there – in a harder to spot location – 18 months later.
Earlier this week I visited Century Wood for the first time after the flooding at the end of October. There has been a lot of rain since, but the water level on the ground was down significantly. I didn’t see any standing water inside the wood and the level in the ditch was well down. The first photo shows the current situation, compared to the usual low level and at the height of the flood last week.
I spent most of the time cutting up dead trees and branches that either threatened to fall on the rides or already had. I normally encourage deadwood, but when it threatens to fall across a ride I sort it out. Some of this standing deadwood was still usable as firewood, and I piled logs from a dead hazel loosely in the Barn for now and I intend to restack it properly in a frame with the ends all exposed. I didn’t set aside any wood for drying last winter, and so this was the first wood to start drying in the Drying Barn.
One trunk I didn’t save had fingers of fungal growth right into the wood, and I also photographed fungi on standing dead poplars which I have left alone for now.
Last year I went to Lyon in central France and although I didn’t see the beavers that now live there I did see the trees felled and their distinctive tooth marks. The signs of beaver activity were in a park by the River Rhone about 3km from the very centre of Lyon. Beavers were hunted for their fur throughout Europe and became extinct in most of France. However in the lower reaches of the Rhone south of the Lyon they survived and have been recolonising the river northwards.
These are some of the nature pictures I took at Century Wood this summer. As a I mentioned last week, I didn’t get very much actual work done, but I did see some interesting things, including some striking fungi and various forms of damage by American Grey Squirrels. This first picture is a giant puffball, with a 50p coin for scale.
Continue reading “Summer photos from Century Wood”
I’ve done a lot of travelling this year and last month this included New York. Henry David Thoreau lived there for most of 1843, a year and a bit before he went to live in the cabin in the woods by Walden Pond that I wrote about in April. Naturally, I made time to retrace some of his steps and photograph one of the woods he probably knew.
Before we get on to my visit in August, I should explain the context. Thoreau’s mentor was Ralph Waldo Emerson, who had established himself in Thoreau’s native Concord in Massacheusetts, writing and giving popular public lectures in a world before television and film. The town of Concord had a good road to the city and port of Boston via Cambridge, the location of Harvard College. So Emerson and Thoreau were able to get around and enjoy a cosmopolitan environment, whilst living within sight of fields and woods.
In 1845 Henry David Thoreau built himself a cabin in the woods beside Walden Pond in Massachusetts and started the process which led to “Walden; or, Life in the Woods” in 1854. This book has gone on to become a classic of American literature, held up by advocates of self-reliance, resistance to the power of the State, naturalism, and conservation; and studied by generations of school children. Even in the UK, it’s often quoted, with its mixture of philosophy and the outline of Thoreau’s efforts to lead a self-reliant life from the land around his cabin. For me, over the last ten years it’s become an increasingly valuable account of living and working in woodland, of learning and practicing woodscraft, and becoming the amateur naturalist of your own environment.
I was very impressed by “The Wood: the life and times of Cockshutt Wood”. John Lewis-Stempel rented a farm in Herefordshire and had the wood for four years. The book is written as a diary of the last of those four years. Some people have made very snippy comments that he was playing at farming and forestry, but that misses the point that the emphasis of the book is on the trees and wildlife of the wood, and how they change during the seasons.
It starts in December with the wood entering its winter quiet time, and goes through the seasons until his final farewell in November. I do find diary (and letter) format books tricky to adjust to but it worked well here given the seasonal frame and his many short visits to the wood.
Some of the diary entries are little more than notes or lists. Others are little essays. A typical one is that he shoots a pheasant on the 8th of December for Christmas lunch, and then tells a short anecdote about poaching and the number of pheasants released each year. Many anecdotes were the kind of thing curiosity would lead you to via Google or Wikipedia. The kind of thing people now check on their phones and then blurt out “Just looked it up. Did you know that such and such is actually something or other!!!” There are also poems, block quotes, and recipes.
As part of his farm, he keeps pigs, cows and sheep in the wood, grazing them and using them to suppress the brambles which originally smothered the woodland floor. Some of the wood is also coppiced, and he harvests mushrooms, elder flowers, sweet chestnut and the odd pheasant and woodpigeon. He also shoots American grey squirrels.
Frankly, I think this is the best book at capturing the feeling of having a wood that I’ve come across.